翻訳と辞書
Words near each other
・ Akita Kantō
・ Akita Kazue
・ Akita Municipal Junior College of Arts and Crafts
・ Akita Museum of Art
・ Akita Museum of Modern Art
・ Akita Nairiku Jūkan Railway Akita Nairiku Line
・ Akita Northern Happinets
・ Akita Nutrition Junior College
・ Akita Omoriyama Zoo
・ Akita Ondo
・ Akita Prefectural Baseball Stadium
・ Akita Prefectural Gymnasium
・ Akita Prefectural Museum
・ Akita Prefectural University
・ Akita Prefecture
Akita ranga
・ Akita Relay
・ Akita Rinkai Railway Line
・ Akita Sanesue
・ Akita Senshū Museum of Art
・ Akita Shinkansen
・ Akita Shoten
・ Akita Station
・ Akita Toshisue
・ Akita University
・ Akita University of Art
・ Akita University of Nursing and Welfare
・ Akita Yabase Stadium
・ Akita, Akita
・ Akita, Kumamoto


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Akita ranga : ウィキペディア英語版
Akita ranga
, also known as the , was a short-lived school of painting within the larger Japanese genre of ''ranga'', or Dutch-style painting which lasted roughly from 1773-1780. Based in Kubota Domain, a feudal domain, in the Tōhoku region of Honshū, northern Japan, in what is now Akita Prefecture, it was headed by the domain's lord Satake Shozan and his retainer Odano Naotake. Though many ''ranga'' artists, most prominently Shiba Kōkan, produced works of European themes, the Akita painters for the most part painted traditional Japanese themes and compositions using Western-style techniques and an approximation of oil paints.
Some of the chief features that distinguish Akita ''ranga'' from traditional Japanese painting (nihonga) are the inclusion of shadows, the use of perspective, reflections in water, and the use of blue for sky and sea. In addition, ''ranga'' artists left little or no blank space on a work, emulating Western art traditions and going against East Asian ones, and used oils and resins in addition to Japanese pigments to simulate the appearance of oil paint. Many of their works feature a large foreground subject which displays techniques in light and shadow, with a small, distant, landscape, displaying an understanding of perspective projection techniques.
==History==
The school got its start when ''rangaku'' (Dutch studies) scholar Hiraga Gennai was invited to help advise the domain on the management of its copper mines. The area was a primary provider of copper to the archipelago in this period, much of which was also exported via Dutch traders based at Nagasaki. Though Gennai is known primarily as a physician, botanist and inventor, he was a ''ranga'' painter as well, and mentored Shozan in Western artistic techniques.
Odano Naotake, one of Shozan's chief retainers, was then sent to Edo to live and study with Gennai for five years, and it is believed that he likely came into contact with a number of other artists and ''rangaku'' scholars during this time. Returning to Akita, he composed, along with Shozan, three treatises on Western style painting. These were among the first of their kind to be produced in Japan.
The school worked primarily from sketchbooks and from life studies of plants, birds, and insects. Since its members were all fairly wealthy, and of the samurai class, they had little need to sell their works, but their influence was felt by some commercial artists, including Shiba Kōkan.
Hiraga Gennai was arrested and imprisoned in 1779 for killing one of his disciples in anger and frustration; he died himself soon afterwards. Odano Naotake, being closely associated with Gennai, was dismissed from his official position in Edo. The movement came to an end shortly after the death of Satake Shozan in 1780 and Odano Naotake in 1785.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Akita ranga」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.